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How Sweet the Sound: Gospel Music in Los Angeles

February 8 – August 26, 2018

curated by: Tyree Boyd-Pates, history curator and program manager, CAAM; Dr. Daniel E. Walker, historian, USC's Center for Religion and Civic Culture

Choir singing in front of government building

<em>Civil Rights is the Issue </em>choir photograph in front of San Francisco City Hall. David Johnson photograph archive, BANC PIC, 2017.001—PIC. © The Regents of the University of California, The Bancroft Library, University of California, Berkeley

How Sweet the Sound: Gospel Music in Los Angeles

February 8 – August 26, 2018

How did Los Angeles become a hub of 20th-century gospel music? With vintage artifacts and photographs, memorabilia, and other fascinating ephemera, How Sweet the Sound explores this facet of Los Angeles’ religious history and highlights beloved gospel musicians including James Cleveland, Andraé Crouch, Sallie Martin, and others. The exhibition charts the story of gospel in LA, including the Azusa Street Revival in 1906, the Great Migration to Los Angeles in the 1940's, musical innovators within black church congregations, its key role during the Civil Rights era, and the thriving commercial success it enjoyed afterward. Each period contributed to producing a global musical phenomenon that shifted American popular culture and politics—and uplifted the country for generations.

How Sweet the Sound is a collaboration with the University of Southern California (USC) Gospel Music Archive. The exhibition is curated by Tyree Boyd-Pates, history curator and program manager, CAAM, in conjunction with Dr. Daniel E. Walker, founder and curator of the Gospel Music History Archive at the USC Digital Library.

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