Ed Love ,em>The Big O Series (detail) Welded chrome. Monster 9 Horus 1973 98 x 36 x 18 in. Monster 6 Isis 1973 114 x 75 x 18 in. Monster 3 Osiris 1972 120 x 60 x 24 in.. Collection of Scott Love. Photo: Melanie Aron
LA Blacksmith
September 10, 2019 – February 16, 2020
For decades black artists in Los Angeles have worked with metal for its historic and symbolic significance, as well as for other sociocultural, political, and practical considerations. LA Blacksmith highlights this tradition, from historic Los Angeles metal sculpture that signifies the durability of West African metalsmithing aesthetics to contemporary explorations of iron and steel alloys, bronze, copper, tin, aluminum, and gold. Beginning with Beulah Woodard's homages to African mask making, LA Blacksmith examines how the Watts Rebellion and other political and aesthetic ideas shaped midcentury metalwork. Contemporary artists explore metal as appropriation, power, and play in twenty-first century Los Angeles. For these artists, metalwork layers the tension between tradition and resistance, preciousness and posture, as well as the sacred and the profane.
LA Blacksmith is guest curated by independent curator jill moniz.
Complete list of artists:
Joseph Beckles, Kendell Carter, Adrienne DeVine, Charles Dickson, Melvin Edwards, Charla Elizabeth, Maren Hassinger, Artis Lane, Ed Love, Kori Newkirk, John Outterbridge, Duane Paul, Noah Purifoy, John Riddle, Alison Saar, Betye Saar, Gerard Basil Stripling, Kehinde Wiley, Glen Wilson, Beulah Woodard, and Suné Woods
video
Curator jill moniz discusses LA Blacksmith: